오아 O2 미니 공기청정기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her early-to-mid 20s, medium-length natural dark brown hair, calm and clean-cut appearance, natural makeup. 100% match.
@Image2 — the product: a compact cylindrical air purifier in cream/beige tone, smooth simple body with dense vent-hole pattern covering the entire front face, minimal modern design, no visible logo or text. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 20 cm tall and 10 cm across — roughly one and a half times the height of an open hand, sitting easily on a small table. It must never look larger than her forearm.

LOCATION:
a compact Korean one-room studio at night, the purifier sitting on a low folding table near the small bed, drying rack and tight storage visible in the warm practical light.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already resting both hands lightly around its sides on the table before switching it on, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: pressing the single top button once with one finger, her other hand steadying the base, no parts removed or set aside
8–11s — The camera pushes in on the product as the dense vent-hole front face drawing in the room's air as the unit hums quietly on the table beside the bed so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the indicator light glows steady and the woman is shown waking and breathing easily, touching her throat with a relieved look, inside the same continuous morning beat She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 켜고 잔 지 일주일째인데."
3–8s — "자기 전에 켜놓고 그냥 자면 되거든요, 원룸이라 방 전체에 금방 퍼져요."
8–11s — "근데 아침에 일어나면 목이 진짜 안 칼칼해요."
11–15s — "공기 좋아진 게 몸으로 느껴지니까 계속 켜놓게 되네요."

PERFORMANCE:
LINE_1 — wants to hook the listener with a small confession of routine; delivered with a slight tired-but-pleased smile, glancing down at the purifier before looking back up.
LINE_2 — wants to hand over practical proof it's easy; said with a light shrug and an open-hand gesture toward the room to show the space.
LINE_3 — the discovery, wants the listener to really register it; leans in slightly toward the lens, eyebrows lifting, voice dropping a touch as if sharing something surprising.
LINE_4 — wants to leave the listener with the verdict; small satisfied nod and soft exhale, warm and settled rather than excited.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Smooth cylindrical cream-beige plastic/composite shell, lightweight enough to lift and turn with one hand.
- The front face is a dense, rigid vent-hole grid — it does not flex, bend or ripple when touched.
- A small indicator light sits flush in the body and glows steadily, no flicker, no visible moving parts beyond the light.
- NEVER: the vent pattern never distorts, warps or peels away from the body.
- Scale is fixed: about 20 cm tall and 10 cm across — roughly one and a half times the height of an open hand, sitting easily on a small table. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the small studio at night and in the morning, the soft steady low hum of the purifier's fan barely audible under her voice, faint fabric rustle from the bed, her spoken lines the loudest thing in the mix throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a folding table