한경희 파워슬림 무선청소기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his late 20s to early 30s, short neat black hair, toned athletic build, clean and lively everyday appearance. 100% match.
@Image2 — the product: a white, black and silver cordless stick vacuum cleaner with a matching charging dock stand, "Power Slim Grab" text and HAAN logo printed on the body. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 100 cm long as a full stick with a 25 cm by 12 cm main body unit, roughly six times the length of an adult open hand end to end. It must never look larger than the man's torso.

LOCATION:
a tidy home kitchen with a daylight-lit counter, a few simple dishes and a mug nearby, the cordless vacuum standing on its charging dock at the edge of the counter.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already gripping the vacuum's handle with one hand, the body upright and resting lightly against his hip, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting.
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: lifting the vacuum off its charging dock with one hand while docking it back down with a firm push until it clicks into place, the dock staying fixed on the counter throughout
8–11s — The camera pushes in on the product as he guides the vacuum's low flat suction head across the kitchen floor near the counter, picking up visible crumbs and dust as it glides so the result is unmistakable — it stays on it rather than cutting away.
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. After docking the vacuum back onto its stand, the dust bin releases its contents down into the base with a visible drop and a soft clatter, and his open palm stays clean and empty as he shows it to camera. He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 봐봐, 먼지통이 알아서 비워져요."
3–8s — "청소 끝나도 손에 먼지 하나도 안 묻어요."
8–11s — "이 부분이 진짜 제일 마음에 들어요."
11–15s — "먼지 걱정 없이 청소하고 싶으면 추천이에요."

PERFORMANCE:
LINE_1 — wants to pull the viewer in on a small surprise; leans slightly toward camera, eyebrows lifting, holding the vacuum out a little.
LINE_2 — wants the listener to feel the payoff in their own hands; opens his free palm and shows it empty, voice landing flat and satisfied.
LINE_3 — wants to underline this as the best part, not just another fact; short pause before the line, corner of mouth lifting into a half-smile.
LINE_4 — wants to hand the listener a clear takeaway; nods once, steady and warm, gesture settling as if closing the thought.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The body is hard ABS plastic in white, black and silver, with a printed "Power Slim Grab" logo and HAAN name that stays flat and unchanged under handling.
- The dust bin is a rigid clear-and-black canister that snaps and releases with a firm click, dust dropping straight down under gravity into the base station.
- The charging dock is a stable stand-alone metal-and-plastic frame that does not wobble when the vacuum is docked or lifted off.
- NEVER: the dust bin must never empty itself while just sitting untouched on the dock — it only empties as part of the docking motion itself.
- Scale is fixed: about 100 cm long as a full stick with a 25 cm by 12 cm main body unit, roughly six times the length of an adult open hand end to end. It must never look larger than the man's torso. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet kitchen, the vacuum's motor whirring during the floor pass, the soft click of it docking, a faint clatter as dust drops into the base, and his voice carrying clearly over all of it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and named props are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a mug on the counter